Movement management, digital compositing, morphing!
This week on the befores & afters podcast, we’re going again in time to revisit the world of visible results and commercials from the late 80s to early 90s.
To do this, I’m chatting to visible results supervisor Eric Durst. You’ll know him from more moderen tasks like 5 Days at Memorial, Gods of Egypt, Figuring out and Batman Ceaselessly.
Earlier than engaged on options, Durst really discovered himself EP’ing and directing commercials at Dream Quest within the late 80s, and labored on some superb promos for corporations like Pepsi, Volkswagen and Polaroid—shifting from analogue and optical results by to digital compositing and the early days of digital. And, sure, even morphing.
This episode is sponsored by VFX asset library software program das factor, the good resolution to arrange your VFX components. The instrument is absolutely customizable and adapts present workflows in addition to naming conventions. Take a look at www.das-element.com for more information or a private dwell demo.
Pay attention in under, and in addition observe together with our chat within the reel of commercials embedded right here. There’s additionally a really enjoyable breakdown of the Volkswagen Fahrvergnugen work Eric was a part of.
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