Smoke, tanks, environments…and rats!
This week on VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters focus on the making of VFX Oscar-nominated All Quiet on the Western Entrance.
We focus on all the main points of the invisible results aspect of the manufacturing, plus the cinematography and particular results concerned.
Don’t miss the various breakdowns featured within the video model, beneath.
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00:00:00 – begin
00:00:31 – sponsors
00:01:41 – the podcast begins
00:03:39 – what do take into consideration the film
00:07:17 – lack of photographs and photographs from WW1
00:10:26 – the primary mechanical Conflict
00:11:20 – the Tanks are the creatures on this subject
00:13:35 – meals as a plot system
00:16:51 – director Edward Berger
00:18:44 – numerous craft documentaries
00:20:31 – cinematography by James Buddy
00:23:03 – the manufacturing design
00:25:51 – Digital Manufacturing prepare sequences
00:27:20 – why the movie has so many nominations
00:30:53 – the wonderful craft on show
00:32:51 – fog and ambiance
00:35:49 – compositing and smoke
00:42:03 – no VES nominations?
00:45:10 – stunts ought to have an Oscar nomination
00:50:07 – the snow VFX and set extensions
00:53:44 – set extension and deterioration of buildings
00:57:02 – the tanks and the flamethrowers
01:04:03 – the CG bayonet and shovel
01:06:25 – the VFX gore
01:12:24 – the true rats
01:16:52 – Patreon and Members credit
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