Filmmaker Sidney Diongzon just lately met up with a bunch of mates and fellow YouTube creators in Manhattan. The journey offered Sidney to run his new Ninja V+ by its paces. Would it not remodel the best way he works together with his trusted Sony AS7 III mirrorless digital camera?
The Ninja V+ is the subsequent stage within the evolution of the multi-award successful Atomos Ninja, delivering as much as 8Kp30 and 4Kp120 steady recording in Apple ProRes RAW whereas inheriting HDR, 4Kp60 RAW and video in addition to HDp120 sluggish movement from it’s little brother, Ninja V.
With the power to seize in 8Kp30 and 4Kp120, the Ninja V+ lets you keep forward of the sport and handle your initiatives while making certain that you’ve got the flexibleness to develop your system. Future-proofed high quality and codecs let you keep appropriate with newly launched and current cameras, in a world the place new cameras are launched ceaselessly and know-how is advancing at an unbelievable tempo.
The “further actual property” of the brilliant, 5-inch touchscreen on Ninja V+ meant Sidney might see extra of the picture and despite the fact that he had entry to a solar visor, he discovered he didn’t want it even working in the course of a sunny day. Ninja V+ can also be full of a variety of monitoring instruments that enabled Sidney to work analyze every body and shoot with confidence. His go-to instruments are the waveform, guides, focus peaking, and Sidney’s personal customized LUTs, which he might use for steady reference throughout recording to test publicity, compose every shot, and take a look at completely different appears.
The journey to New York gave Sidney a possibility to essentially take a look at Ninja V+. The machine doesn’t disappoint and gives new methods for Sidney to get extra from his current digital camera gear. That is the true energy of the machine and Sidney has fortunately joined the rising variety of filmmakers who select to make use of Ninja V+ so as to add a brand new dimension to their inventive toolbox.
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