How Cinesite and different studios crafted the visible results of Matilda.
This week on the befores & afters podcast, we’re speaking to Matilda manufacturing VFX supervisor Simon Stanley-Clamp, who additionally hails from Cinesite.
He oversaw greater than 1000 visible results photographs on the movie, together with some fairly loopy scenes involving crowds, sharks, a lion, and even the actress Emma Thompson swinging a woman round by her pigtails — it’s that type of film.
One of many enjoyable issues about this chat is that we dive deep into shot design, and likewise SOLVING shot challenges. I actually like what Simon shares with us in that regard.
We primarily take a look at Cinesite’s work, however there’s additionally some dialogue about different distributors together with Pixomondo and Fin Design + Results.
This episode is dropped at you by The Captury. The Captury provides state-of-the-art markerless movement seize know-how in your visible results necessities. With The Captury, you’ll be able to seize full-body movement, finger poses, and facial expressions with none preparation wanted in your actors or the scene. Merely arrange just a few tracked or static cameras, and also you’re good to go. You’ll be able to both stream low-latency movement into your most well-liked engine or save the info to disk to be used in your VFX pipeline.
Hearken to the podcast under, and likewise see Cinesite’s VFX breakdown reel.
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