Tuesday, November 28, 2023
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Contained in the thoughts of Phil Tippett within the remaining levels of ‘MAD GOD’


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Collaborator Webster Colcord captured MAD GOD documentary photos on 16mm movie, mixed with digital and optical sound.

Webster Colcord is a stop-motion and CG animator who has labored at Tippett Studio on a number of initiatives, together with with Phil Tippett and his unimaginable MAD GOD. befores & afters profiled Colcord’s personal animated pictures on the movie in difficulty #7 of the journal.

MAD GOD is now accessible on Blu-Ray. That launch options a gorgeous interview/b&w visible piece that Colcord put collectively on Tippett from an audio interview he did with the director, and now you may also watch it under.

First, right here’s Colcord’s notes on the way it was made:

I pre-recorded and edited the dialogue digitally, then shot the optical sound in an Auricon CM-72 digital camera, then re-shot the photographs on the identical movie in a spring-wind H16 Bolex.

Lenses: Switar 10mm & 25mm
Inventory: Tri-X reversal

I used to be initially going to chop all in-camera, however I ended up doing a little re-ordering of pictures within the edit. The sound is a combination of the unique digital recording and the optical sound. For the reason that digital camera didn’t have a sync motor, I ended up having to cut up the digital audio at any pause within the voice observe to re-establish sync.

Take a look at the piece right here.

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