EPISODE 377 – VFX SUPERVISOR CHRISTOPHER ZAMMIT
Christopher Zammit is a VFX Supervisor and Artwork Director. They’ve labored on many movies like Rogue One: A Star Wars Story, Godzilla: King of the Monsters, Tomorrowland, Ghostbusters, and naturally movies within the Transformers franchise Transformers: Darkish of the Moon, Transformers: Age of Extinction and Transformers: The Final Knight.
On this Podcast, VFX Supervisor and Artwork Director Christopher Zammit offers recommendation to artists about getting the foot within the door, brief deadlines and dealing extra time, easy methods to negotiate in your favor – in addition to their expertise engaged on The Transformers, Man of Metal and a lot extra!
Christopher Zammit on IMDb: https://www.imdb.com/identify/nm1598732/
Christopher Zammit on LinkedIn: https://ca.linkedin.com/in/textureartist
Christopher Zammit Talks about His Childhood: https://www.youtube.com/watch?v=hsZwkzDQtaI
Christopher Zammit Talks About The Transformers: https://www.youtube.com/watch?v=VRJ8G7rfl9M
Christopher Zammit on IG: https://www.instagram.com/christopher.lee.zammit/?hl=en
Episode 377 – VFX Supervisor Christopher Zammit
Hello, everybody!
That is Allan McKay. Welcome to Episode 377!
I’m talking with Digital Results and Asset Supervisor Christopher Zammit. It was enjoyable to take a seat down with Chris and speak about their expertise in VFX.
We talked about:
- Christopher Talks About Changing into an Artist
- Getting the Foot within the Door
- Going from Accumulating Transformers Toys – to Engaged on Scorching Rod
- The Artistic Course of Behind Creating Belongings – and Leaving His Signature
- Engaged on Man of Metal
- Recovering from Poor Reception of a Movie
- Brief Deadline and Working Extra time
- Engaged on Dream Tasks
- Expertise Working at ILM
- Easy methods to Negotiate in Your Favor
I’m tremendous excited to talk to Chris.
Let’s dive in!
ADDITIONAL RESOURCES FROM ALLAN McKAY:
[01:14] Have you ever ever despatched in your reel and puzzled why you didn’t get the callback or what the rationale was you didn’t get the job? Over the previous 20 years of working for studios like ILM, Blur Studio, Ubisoft, I’ve constructed a whole lot of groups and employed a whole lot of artists — and reviewed 1000’s of reels! That’s why I made a decision to write down The Final Demo Reel Information from the angle of somebody who really does the hiring. You will get this e-book without spending a dime proper now at www.allanmckay.com/myreel!
[1:00:53] One of many greatest issues we face as artists is determining how a lot we’re price. I’ve put collectively an internet site. Test it out: www.VFXRates.com! This can be a likelihood so that you can put in your stage of expertise, your self-discipline, your location — and it provides you with an correct concept what you and everybody else in your self-discipline must be charging. Test it out: www.VFXRates.com!
Okay, what did you assume? I hope you bought so much from this Episode. I need to thank Chris for approaching the Podcast.
Subsequent week, I’m doing a solo Episode by which I give Recommendation for Entry Stage Artists. That is for artists whose profession could also be in a rut as nicely.
Till then –
Rock on!
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