the way to remodel any body from fredo animator plugin in a brand new scene inside sketchup? I’ve been create a animation with some frames utilizing the fredoanimator. How can I to remodel any body from fredo animator in a brand new scene in my sketchup?
If the animation exercise doesn’t alter the mannequin geometry (by translating, rotating, scaling, and so on.) and as a substitute solely strikes the digicam, or modifications layer/tag state, then you would in all probability run the animation to the focal point, briefly return to SketchUp, create a scene, then return to Animator then and exit Animator again to common SketchUp. The brand new scene ought to have captured the digicam parameters and so on. (assuming that the scene preserves these settings).
Making an attempt to seize modified geometry (translation, rotation, and so on.) is more durable, and can make the SKP file rather a lot greater. The Animator extension remembers the preliminary state of the mannequin, “bodily” strikes, rotates, scales and so on. geometry inside the mannequin house in the course of the animator UI session, and restores the unique state when exiting the extension (again to common SketchUp UI). As a result of if this, in the event you create a scene utilizing the above methodology, the scene won’t present the mannequin geometry in the identical positions as have been seen when the animation was briefly paused. The geometry might be in its pure (un-translated) state.
If you might want to seize the modified state of the mannequin geometry in the course of the animation circulate, you may attempt to run the animation as much as the focal point, briefly return to SketchUp, Choose All after which Copy the mannequin, create a scene (with digicam settings and so on. saved), then return to Animator, exit Animator again to common SketchUp, and do a Paste In Place. That can put a model of the mannequin geometry as translated and so on. by Animator within the workspace (together with the unique mannequin’s geometry). Each variations of the mannequin – pure and translated – would exist within the workspace. To separate them, you would create a large Group or Element (proper after the Previous In Place, such that every one the translated mannequin continues to be chosen) and assign a brand new layer/tag to it. Once you wish to see the frozen view of solely the translated mannequin, flip off no matter layers/tags management the pure state of the mannequin (which might flip off components of the translated mannequin additionally, so it’s possible you’ll have to re-layer/tag a number of the mannequin’s objects).
One other refinement of the above method to capturing the translated mannequin is to do the above, then merely delete the pure mannequin’s objects – leaving solely the translated mannequin copy – after which Save As to a brand new file. This refinement wouldn’t want any layer/tag fiddling and wouldn’t double the SKP file dimension (however it might lead to one other SKP file of about the identical dimension as the unique).
Attention-grabbing query, I’ve by no means attempt to do this, I exploit scenes only for 2D documentation on format, and animator for digital excursions, I don’t wish to have loads of scenes only for creating an animation.
