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A brand new VFX Notes breaks down the massive ticket VFX objects within the movie.
With Avatar: The Approach of Water, James Cameron and his collaborating filmmakers surprised audiences with simply the perfect efficiency captured digital performing we’ve ever seen, the perfect CG water and doubtless the perfect compositing crafted for a film.
Wētā FX wrote new instruments, particularly regarding facial animation and water simulation, which have modified the sport in VFX. On this VFX Notes episode, Hugo Guerra and Ian Failes break down the massive ticket VFX objects within the new James Cameron movie, together with gorgeous work by Lightstorm Leisure, The Third Ground and ILM.
This podcast is sponsored by:
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Run-down
00:00:00 – intro
00:00:40 – sponsors
00:01:49 – podcast begins
00:04:04 – How huge is that this movie?
00:05:47 – first reactions to this movie
00:10:35 – please watch this movie on the most important display potential!
00:14:14 – a couple of negatives
00:19:46 – ecological message
00:22:46 – that Excessive Body Charge model!
00:28:14 – by no means underestimate James Cameron
00:33:00 – the shoot and bodily manufacturing
00:36:20 – wave pool
00:40:05 – stuffies on the set
00:41:40 – eye line system
00:47:23 – realtime depth compositing onset
00:55:38 – Spider is essentially the most spectacular VFX of the movie
00:58:53 – weta’s purpose: bodily believable
01:02:14 – new facial animation system
01:07:13 – Sigourney Weaver
01:11:24 – superb performances throughout
01:12:47 – the water pipeline
01:24:41 – DEEP knowledge and compositing
01:29:30 – give them the Oscar now!
01:32:20 – that apocalyptic intro
01:36:09 – the ocean dragon construct
01:40:17 – the Oscars bake off
01:43:51 – the strap shot (actual palms)
01:52:39 – Patreon and members credit
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