1. Methods to Add a Lens Flare Overlay in Photoshop
Step 1
Let’s begin with a basic mild leak overlay. The go-to mild leak overlay is a blob of shade on an empty layer set to Display. It is quick however flat.
As an alternative, attempt utilizing a Gradient Map adjustment layer set to Display.
For a golden-hour glow, go for reds #b31000 within the darks and oranges #ff9600 within the lights.
Step 2
Then all we have to do is Invert the Gradient Map’s Layer Masks utilizing Management/Command-I and masks with white the place we would like our mild leak.
You may have a way more dynamic shade within the mild supply. We are able to additionally use the Gradient Map Toggles to refine how that shade is distributed. You may add greater than two colours and even avoid wasting presets utilizing the New button within the Gradient Editor to make this simply as shortly as including a giant blob of boring shade.
2. Methods to Make a Duotone in Photoshop
Step 1
A basic duotone-inspired impact is already sometimes finished utilizing Gradient Maps, however this time we’ll ditch the map and use Strong Shade Fill layers as a substitute.
Create two Strong Shade Fill layers. The highest shade must be a brighter worth, and the underside shade a darker worth.
Contrasting shade combos like crimson and blue will work finest. I will go along with a darker deep blue #000e57 for the underside layer and scorching pink #ff4b97 for the highest layer.
Step 2
Now, let’s go to the higher choices bar and select Picture> Apply Picture.
We wish to set the Layer to our topic or picture layer. In my case, it is the default “Background” layer. When you’ve renamed it or imported it in a different way, you may select no matter it is named.
Subsequent, we are able to play with the totally different Channel choices. This may change from picture to picture. For this picture, I like each the Inexperienced and RBG channel; I will go along with RGB and press OK.
Step 3
We are able to additional edit the duotone impact by enhancing the masks. Hitting it with some Picture > Changes > Brightness/Distinction is a superb choice.
As a result of these are Shade Fill layers, we are able to simply click on and alter the colour. We are able to save a few of our favourite shade combos utilizing the Save Swatches button. I modified my colours to a darkish purple #370050 and a lime inexperienced #a2ff35 shade.
And, my favourite, we are able to use Layer Modes and Opacity controls to additional refine the impact. Pin Mild, Linear Mild, and Laborious Mild are nice choices. Beneath, I’ve modified the Layer Mode to Linear Mild and the Opacity to 85%.
That is additionally a fantastic impact to pair with the upcoming glitch impact in Photoshop.
3. Methods to Create a Y2K Impact in Photoshop
Step 1
Let’s transfer on and see create a glitching impact or a Y2K impact in Photoshop, particularly referred to as chromatic aberration. Let’s begin with the everyday technique of getting the bottom chromatic aberration impact, after which I wish to take a look at how we are able to play with it.
First, Duplicate the picture utilizing Management/Command-J after which double-click the copy to open the Layer Types panel.
Right here, we wish to take a look at Superior Mixing, the place we’ll discover the Channels. Let’s Uncheck the R Channel for now.
Step 2
Now, with the Transfer instrument lively, let’s nudge the duplicate layer throughout and up by 5 to 10px. The path would not matter; the extra we transfer the layer, the stronger the chromatic aberration impact.
Step 3
I at all times recommend including a Layer Masks to the chromatic aberration layer and masking out the face of any topics. Use a gentle spherical Brush so the perimeters are good and gentle. This may assist maintain the face sharp and in focus.
We do not have to cease right here, although. There are 1,000,000 methods we are able to edit this.
Step 4
First, we do not have to be caught with the basic crimson and cyan shade mixture.
Double-click the chromatic aberration layer and blend and match the totally different Channel Packing containers. I really like a lime inexperienced and purple mixture, which we get when the Inexperienced Channel is Off, with each Pink and Blue Channels On.
Step 5
Second, our chromatic aberration layer is only a layer, so we are able to add filters, warp, and rework it like some other layer.
Let’s add a Filter > Distort > Wave and play with the Wavelength, setting the Max to round 830. This may give a delicate distortion.
Step 6
We are able to push that distortion even additional by Unlinking the layer masks from the chromatic aberration layer and utilizing Warp Remodel to push and pull on the perimeters of the picture.
You may push this so far as you need, even layering a number of results on prime of one another.
4. Methods to Create a Neon Impact in Photoshop
Step 1
The principle challenge with neon shapes and designs is how flat they’re. It is a white form with some Inside and Outer Glow utilized after which known as finished. Right here is my go-to Layer Impact recipe for a extra dynamic-feeling glow.
The principle purpose right here is to create slight variations within the mild, whereas ensuring every part stays vivid and shiny.
The colour could be simply modified in certainly one of two methods at two totally different factors. First, you’ll be able to change it right here by switching each pink shade you see to your required shade.
Step 2
Earlier than we transfer on to the second solution to change the colour, let’s save this as New Type. You don’t want to must recreate this time and again. Now, at any time when you have got a brand new form, textual content, or normal pixel layer that you just wish to flip neon, you simply must go to Types and select your “Neon” preset.
Step 3
Lastly, to alter the colour in a short time, with out messing with the Layer Types, simply Group your neon layers collectively and Clip any color-changing adjustment layer into the group. A Hue/Saturation adjustment layer will work finest.
Even when you solely have one neon design, you may nonetheless wish to put it in a Group, as Layer Types override Adjustment layers if clipped straight within the layer.
5. Methods to Create a Rain Impact
Step 1
And let’s end off with some rain. The old-school method consists of utilizing noise, layer modes, and movement blur. My most popular methodology entails none of these.
Create a New Layer and fill it with black utilizing the Paint Bucket instrument.
Subsequent, go to Filter > Pixelate > Mezzotint, setting the Kind to Coarse Dots.
Step 2
Zoom in shut, and go to Choose > Shade Vary. Click on on a white dot and alter the Fuzziness to 200. We would like all of the white dots to be chosen.
Add a Layer Masks, and enter Choose and Masks from the Properties panel or the choice instruments within the higher choice bar.
In International Refinements, set the Feather to 2.5 px and Distinction to 50%. This may skinny out the dots. The extra dots, the heavier the rain, so be at liberty to play with these two settings; that is only a good place to begin. Press OK when you’re proud of the dots.
Step 3
Now, we will Duplicate this layer twice utilizing Management/Command-J, for a complete of three dot layers.
Choose all of those dot layers and Proper-click > Merge Layers. This may make the dots brighter/stronger trying.
Step 4
Subsequent, we will Duplicate the brand new dot layer twice extra, leaving us with three layers. Conceal two of those layers. We will edit every layer individually.
Choose the primary dot layer, and let’s go to Filter > Blur Gallery > Path Blur and stretch the rain utilizing the blue path you’ll be able to see within the picture under. This may give the preliminary movement blur impact.
Step 5
Why use Path Blur and never Movement Blur? As a result of by inserting Factors on the trail and pulling, we are able to create motion within the rain.
You at all times need your rain to be stepping into multiple path. It is as much as you ways robust the motion is; you’ll be able to create a very intense rainstorm or a extra delicate impact like this one.
It’s also possible to play with the Motion Pace, although 50 works wonderful right here.
Step 6
Now, Unhide the second dot layer, seize the Transfer Software, and Proper-click > Flip Horizontally.
We additionally wish to Remodel it to be round 20% bigger.
Step 7
And once more, Filter > Blur Gallery > Path Blur. I like to recommend making the trail curve in the wrong way from the primary. The rain ought to fall in the identical common path, however we would like slight variation in motion.
Step 8
For our final dots, we wish to enhance the layer’s dimension by 250% utilizing the Remodel higher choice bar.
Step 9
And yet another spherical of Filter > Blur Gallery > Path Blur.
I elevated the Motion Pace to 70 for this final layer.
Step 10
Lastly, Choose the entire rain layers and Proper-click > Merge Layers.
Go to Picture > Changes> Hue/Saturation, Examine Colorize, and add a tint of shade to the rain. Rain is obvious and will replicate the sunshine in its surroundings, on this case, a vivid crimson.
Step 11
Bonus step, you’ll be able to Duplicate the rain layer to make it seem stronger and masks out areas you wish to be much less intense.
It’s also possible to play with layer modes like Display.
That is It!
That is 5 results you can begin utilizing at this time! Streamline your workflow and experiment with totally different variations to make them actually distinctive. We saved it easy at this time, however I am a “go massive or go dwelling” kind of gal. Completely satisfied designing!
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